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File: ACB3E9D4-9785-4F05-8B56-5B….png πŸ“₯︎ (11.62 KB, 600x800) ImgOps

 β„–3474[Quote]

Famous Georgian rapper Jordan Carter has announced that his 4th studio album, "I AM MUSIC" will be dropping this Friday.
https://x.com/playboicarti/status/1900014438754738582

 β„–3475[Quote]

::NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT NIGGER ALERT::

 β„–3481[Quote]

Nigger was too busy being a nigger to drop

 β„–3486[Quote]

>>3481
Trvke…….

 β„–3488[Quote]

peak rnca

 β„–3489[Quote]

>nigger news is on the front page of sharty
its over…

 β„–3490[Quote]

Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.

 β„–3491[Quote]

clittycels leaking over upcoming peak

 β„–3493[Quote]

File: IMG_5233.png πŸ“₯︎ (70.06 KB, 562x873) ImgOps

>clittycels leaking over upcoming peak

 β„–3494[Quote]

>Nigger funking on Friday

 β„–3495[Quote]

soyboi shardy releases new album titled "I AM JAK"

 β„–3496[Quote]

Normie nothingburger news

 β„–3498[Quote]


 β„–3499[Quote]

He ain’t dropping nigga

 β„–3500[Quote]

File: ClipboardImage.png πŸ“₯︎ (46.08 KB, 548x600) ImgOps

>He ain’t dropping nigga

 β„–3501[Quote]

>>3500
retarded font award

 β„–3502[Quote]

The album sucks btw

 β„–3503[Quote]

File: Suite No. 3 in D Major_ BM….mp3 πŸ“₯︎ (4.98 MB)

Who cares about nigger music?, disgusting.
<
Degenerate music lost, classical won

 β„–3504[Quote]

File: Shit_nobody_cares_about_sc….png πŸ“₯︎ (26.45 KB, 800x789) ImgOps

>listening to nigger music

 β„–3505[Quote]

File: seriouscob.png πŸ“₯︎ (17.23 KB, 205x255) ImgOps

i wish KanYe would release bully i can't listen to carti for my life.

 β„–3507[Quote]

>>3505
Ye is washed unfortunately, V2 was coal

 β„–3508[Quote]

NIGGGER

 β„–3509[Quote]

>>3503
trvke

 β„–3514[Quote]

rnca

 β„–3518[Quote]

File: Pepelaugh_distorted.mp4.3….webm πŸ“₯︎ (1.33 MB, 420x360) ImgOps

ohnononononono do nusois really listen to raisinskin niggerbabble music?

 β„–3520[Quote]

Niggers

 β„–3521[Quote]

File: chuddydance.mp4 πŸ“₯︎ (434.15 KB, 480x852) ImgOps


 β„–3522[Quote]

This album is ass, still waiting for bully

 β„–3524[Quote]

Can this stupid nigger go back to being a faggot bitch vampire nigger of a subhuman and give us a better album than this "opium aesthetic" niggerraisin.

 β„–3525[Quote]

If the frogfags frequented /news/ they would be making fun of the fact that you guys pay attention to the culture of rap music, and they would be correct in doing so.

 β„–3527[Quote]

this is why muslimgauze won

 β„–3529[Quote]

Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.Negermusik ("Negro music")[1][2] was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works[3] created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.

 β„–3531[Quote]

>>3503
>LE HECKING EVRQPEAN TRAD BORING ASS VIOLINS N raisin WON
There's a reason teachers put on classicalslop to bore everyone

 β„–3533[Quote]

>4th studio album
Marge

 β„–3534[Quote]

Go to xis SoundCloud and spam nigger in the comments of every song

 β„–3537[Quote]

>>3524
you fat nigger the vampire raisin came from opium

 β„–3538[Quote]

>>3503
reddit-tier elitism

 β„–3540[Quote]

>>3522
tsmt

 β„–3541[Quote]

>>3537
whatever nigger his music when he was a monkey vampire was better

 β„–3558[Quote]

3/30 album, and people say ts is AOTY? Lol. raisins a 6/10 at best

 β„–3585[Quote]

nigger music

 β„–3605[Quote]

2 good songs and the rest was just adlib spam nuniggercore

 β„–3614[Quote]

File: 1733423888105b.png πŸ“₯︎ (13.51 KB, 255x255) ImgOps


 β„–3629[Quote]

>>3614 real aryan music



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